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| LEFT: LYRICS AS THEY APPEAR ON THE CD BY CLINT CONLEY | RIGHT: ORIGINAL MESOSTICS & PROSE BY HOLLY ANDERSON | |||||||||||
| 01 Blissful (Conley/Anderson) | ||||||||||||
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Always blissful
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always
Blissful in thOse clear eyed years. grief was an Unknown then. we were Gold in eAch others orbIt, we draNk air, the psychedelic, Very pInk carpets and sheets of paper fLowers ran down the damaged walLs, a dElicious frosting As we rocked borrowed beds. Bougainvillea = Sensuality common name: paper flower that first tiMe the rain ran dOwn like such fine silveR Needles, your wet umbrella left rIvers oN my austere Grey floor. nervously, you said Good afternoon when it was very nearLy night. and sO in that chilly, half-empty Room we found awaY to live in our skins again. Morning Glory = affectation |
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| 02 Call it L--- (Conley) | ||||||||||||
| You
were clear from the start Your heart comes in separate parts. Someone else from long ago Has a place there even though You say youve never been with him, technically. Lets back up, whats that mean? What the hell is technically? Whats he have that I dont got? Whats he getting that Im not? No one knows just where you go. Turn to leave youre on that phone. No one knows just what you do. I know I need more and more of you. Walk me through your catalogue of love: Couplings, triplings, underthings, and toys. Drive me crazy, tell me more. Whod you buy those fishnets for? I know theyre not for me... technically. So just what do you call this thing That we cant touch or it would bring Our whole worlds crashing down, Whole worlds crashing...? No one knows just where you go. Who am I when youre alone? So whats this thing we have? Im confused, is it love, love, love, love? Cuz Im sick, Im destroyed Must be love. Whats this thing? Im undone Call it love, love, love, love, love. Im confused and Im gone, must be love. |
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| 03 Buckets of Flowers, Porno Mags (Conley/Anderson) | ||||||||||||
| Buckets
of flowers, porno mags, cages of canaries. Her one photo: kohl-eyed, and heís bent close, alive. [repeat] We traveled together just once To Paris, the very slowest route by train. Then a strike, how to move? Speechles awe, Narbonne early morn. Heating hashish Till my palms turned black. Dark laughed, light did too. Other habits: they crooned ëchocolateí In sleepy voices close by the opera bar. Buckets of flowers, etc Did those trees bloom for us? They danced and waved their limbs. Dark laughed, light did too. |
we
traveLed together just once, |
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| 04 Who Touches You Now? (Conley/Anderson) | ||||||||||||
| When
you wrote last month Asking 'Who touches you now?' I sat in this dusty square for a long time Trying to recall. And then it came to me: Moonlight touches me sometimes, Or this cold hand might. [Who touches you now?] When I touch at my temple, When I touch at my throat, When I touch at my thigh thereís a faint memory of heat. [Faint memory of heat] Who was ravenous, Who was always in need? [repeat] Who touches you now? Who touches you now? Then there was no more romance. Everyone had the same flat voice. Where were you when that happened? Where were you? Once we ate off the same plate. We cut ourselves with the same knife. We were gold-- We were gold! In each otherís hands. [Who touches you now?] Maybe we happened and Maybe we didnít at all. [repeat] Who touches you now? Who touches you now? |
When
you wrote last month and asked, Who touches you now? I sat in
this dusty square for a long time trying to recall and then it came to me- moonlight touches me sometimes or this cold hand might. When I touch at the temple or throat or thigh theres a faint memory of heat, and the fingers that used to trace impatient shapes across the landscape of our shy, thirsting bodies. But then finally there was no more romance and everyone had the same monotonous voice. Where were you when that happened? Once upon a time we ate off the same plate. We cut each other with the same knife. We named rivers and built rings of fire. We were gold in each others hands. Proximity was never a problem then. Neither was time. But goddamn those salty, insistent bodies that carried us. Who was always ravenous? Who was always in need? Maybe we happened and maybe we didnt at all. |
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| 05 John Coltranes My Favorite Things (Conley/Anderson) | ||||||||||||
| Was
that apt. in Allston? I only recall a dim shuffling tram. The spring night flooding the drawn-down windows with scent. Wasnít she full of wild want For his He and her She? John Coltraneís ëMy Favorite Thingsí Over and over. Your monkish mat on the floor, Your generosity as flocks of birds rose Out of the heat in my pelvis and clouded my eyes. Wasnít she full of wild want For his He and her She? John Coltraneís ëMy Favorite Thingsí Over and over. Her potterís hands in both their dusty britches. |
was
that aPartment in allston? her black hair
shot white,Zebra style. |
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| 06 Not Like Them (Conley) | ||||||||||||
| Each
precious hour A shining flash. We cast our nets To hold on fastthey slip away So Ill kiss your sleeping head. Youre just a child. Youre not like them. Heart fair and mild. Not black and ugly, cruel, and strange. I wont let them hurt you again. Your first sip of this poisoned well. God help us forget. Here is my broken heart. Here is my broken heart. |
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| 07 Post-Pathetic (Conley/Anderson) | ||||||||||||
| Clints' lyrics coming soon | Arent
I dull, since we drew the line? Barred any evidence of interior life? But that comes custom-ordered, you made it plain Dont get heavy on me or Im gone you said. Now Im your pleasant no one, Im barely here, A shadow passed from time to time. Got the program, took the cure. The post-pathetic eras here. But how did things get cold so quick? Arent you bored, miss my hissy fits? Id get mad and pout for an hour cuz you couldnt fit Me in for a minute, youre pressed for time. But I got your patterns, I spot your car, Find you in the woods, you laugh, Hey no fair! Ive laid the trap that caught me out Of my mind, half-obsessed, A high-pathetic scary mess. Is that when things got cold so quick? She says she needs connection. With him it was electric. Her juju lady said theyd married 7 times, Just practice in their previous lives. Strange licorice and candor, Such tongue and groove together. His method: lift skirt over her upraised arms. Her black high heels the last thing on. Say it happened, Grant me that last favor. Tell me Im not dreaming. What we had was something, Something one might hold and not let go. I think I know what happened, Was it when you heard that song? I lobbed a bomb and used that word: love. Love, glove, moon, junewhats the big deal Its just some lame tune And a writer whos desparate for words To fill a hole. A hole thats closed, a wound thats healed, The post-pathetic remedy For how things got so cold so quick. I know Newness Ends. Cured but curious we embrace post-pathetic happiness: Neutered, fixed, companionable. |
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| 08 That Boston Life (Conley/Anderson) | ||||||||||||
| coming soon | her
swede-neat piLe of thIngs, that boston Life packed up so quick and easY and small. he drOve the band's van screaming Fast; 90 down 90, new haven in no Time and nyc. loisaida was a grey & grimy Horror of junk and bombEd out buildings in 1981, but that girl loVed it with A sweeping, fierce quickness. they sLept sweet on a dirty fLoor just oncE in a tinY apartment. that first night of sirens. Lily of the Valley = return of happiness |
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| 09 3 a.m. (Conley/Anderson) | ||||||||||||
| coming soon | a
blue heron in the Weed choked bit of bAy Took wing suddEnly. both of us glossy as tRout, damp and spent. the Luxury of our senses; dazed, dIssolute, and so gratefuL that hot, Yellow day on lake vermilion. Water Lily = purity of heart our Pact: no shame & skin to skin just as oftEn as pOssible. deep grass behiNd the empty house, lake superiors blues & greYs across the cracked road. Peony = Shame Im all alone now in this room that smells of crime scenes, too ridiculous to care. Its 3 a.m. All the things that weve forgotten scream for help in our dreams. I read that somewhere once and now its true |
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| 10
The Kiss (Conley) Stop, take a sec, look around. Did she see me in your car? Have they noticed when we talk That the whole world falls away and disappears. Phone codes, stolen rendezvous. What a rush, it picks up speed, We're defenseless, we are weak, And we're locked aboard a train that's jumped its tracks. I'm still waiting. Waiting for the kiss. Maybe then we'll quit while we're behind. It's a helpless situation Drifting 'round towards a starting line. I saw clear from the start. I was hopeless, I was gone, There was nothing to be done. Your knee almost touching mine-- It takes every ounce of strength To keep everything in place. I'd give anything to run my fingers through your hair. I'm still waiting. Waiting for the kiss. Maybe then we'll quit while we're behind.... Here in the land of dream-come-true I hear every mother say 'Things are different today And you never touch me quite the way you used to do.' I'm still waiting. Waiting for the kiss. Maybe then we'll quit while we're behind. It's a hopeless agitation Drifting 'round towards some finish line. |
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| 11 Details Of Attraction (Conley/Anderson) | ||||||||||||
| One
of the girls said: 'Man has the stem, Woman has the flower.' We laughed at this rustic oracle. As armloads of droopy heads and stems Were tossed into the dark, The dark fast water. Candle flickering, Heads bent to the light. Dandelion, rustic oracle. Night falls and then much later on Our greedy lips discuss The precise details of attraction. [repeat] |
one
of the girls saiD: mAn has the stem, womaN has the flower. we laugheD at this rustic oraclE as armLoads of droopy heads & stems were tossed In the fast water. such dark, much later Our greedy lips discussed the precise details of attractioN. Dandelion = rustic oracle |
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| 12 What a Body Could Do (Conley/Anderson/Busted Statues) | ||||||||||||
| Mornings
you'd make me run. I'd jog the timber road with you. Chasing your Young bones a form of bliss, Ravishing them too. We couldn't ever make enough Time for lips and hips and arms To teach us what a body could do. Our dirt road hung and draped With necklaces of wild grape. Quick grouse would flush, And swooning on it all we'd jump and laugh. We couldn't ever make enough Time for lips and hips and arms To teach us what a body could do The lake froze early again, The smudge of sun has disappeared. Now here I am. The lamps are always lit against the cold. We couldnít ever make enough Time for lips and hips and arms To teach us what a body could do |
mornings
you made me joG the timber rOad with yOu. chaSing your young bonEs was a form of Bliss. ravishing thEm, too, as daRkening clouds blew acRoss the lake and sun toYed again with our bare skins. Gooseberry = anticipation our dirt road was Hung, was draped in necklaces Of wild grape. pheasaNts quick grousE, too would flush and jumpY uS might laUgh. dizzy and swooning on it all. we Couldnt maKe enough time ever for Lips and hips and arms to tEach us what a body could do. Honeysuckle = generous and devoted affection |
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