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LEFT: LYRICS AS THEY APPEAR ON THE CD BY CLINT CONLEY RIGHT: ORIGINAL MESOSTICS & PROSE BY HOLLY ANDERSON
01 Blissful (Conley/Anderson)

Always blissful
Always blissful in those clear-eyed years,
Grief was an unknown then.
We were gold in
In each other's orbit, we drank air.
We drank air.
That first time the rain ran down like
Silver needles.
Your wet umbrella left rivers on my painted gray floors.
Nervously you said 'Good afternoon'
When it was nearly night.
And so in that chilly, half-empty room
We found a way to live in our skins again.
Psychedelic, very pink
Carpets and sheets of
Paper flowers.
Ran down the damaged walls,
A delicious frosting as we rocked,
We rocked borrowed beds.

 

                 always Blissful in
                      thOse clear eyed years.
           grief was an Unknown then.
                we were Gold
                    in eAch other’s
                     orbIt, we
                     draNk air,
       the psychedelic, Very
                       pInk carpets and sheets
              of paper fLowers ran down
         the damaged walLs,
                     a dElicious frosting
                        As we rocked borrowed beds.
Bougainvillea = Sensuality common name: paper flower

        that first tiMe
       the rain ran dOwn like
     
such fine silveR
                     Needles, your wet umbrella
               left rIvers
                    oN my austere
                     Grey floor.
nervously, you said ‘Good afternoon’
when it was very nearLy night.
                and sO in that chilly, half-empty
                     Room we found
                  awaY to live in our skins again.
Morning Glory = affectation
02 Call it L--- (Conley)
You were clear from the start
Your heart comes in separate parts.
Someone else from long ago
Has a place there even though
You say you’ve never been with him, technically.
Let’s back up, what’s that mean?
What the hell is ‘technically’?
What’s he have that I don’t got?
What’s he getting that I’m not?
No one knows just where you go.
Turn to leave you’re on that phone.
No one knows just what you do.
I know I need more and more of you.
Walk me through your catalogue of love:
Couplings, triplings, underthings, and toys.
Drive me crazy, tell me more.
Who’d you buy those fishnets for?
I know they’re not for me... ‘technically.’
So just what do you call this thing
That we can’t touch or it would bring
Our whole worlds crashing down,
Whole worlds crashing...?
No one knows just where you go.
Who am I when you’re alone?
So what’s this thing we have?
I’m confused, is it love, love, love, love?
Cuz I’m sick, I’m destroyed
Must be love.
What’s this thing? I’m undone
Call it love, love, love, love, love.
I’m confused and I’m gone, must be love.
03 Buckets of Flowers, Porno Mags (Conley/Anderson)
Buckets of flowers, porno mags, cages of canaries.
Her one photo: kohl-eyed, and heís bent close, alive.
[repeat]
We traveled together just once
To Paris, the very slowest route by train.
Then a strike, how to move?
Speechles awe, Narbonne early morn.
Heating hashish
Till my palms turned black.
Dark laughed, light did too.
Other habits: they crooned ëchocolateí
In sleepy voices close by the opera bar.
Buckets of flowers, etc
Did those trees bloom for us?
They danced and waved their limbs.
Dark laughed, light did too.

              we traveLed together just once,
                  to pAris, the very slowest
                route By train. heating
              hashish Until my palms went black.
             then a stRike. how to move?
 such speechless awe; Narbonne, earliest a.m.
the trees bloomed for Us. they danced and
              waved liMbs. dark laughed, light did,too.
Laburnum = pensive beauty


for other habits - the boys crooneD
                           ‘chocolAte’ in sleepy voices
                        close by tHe opera bar.
                      buckets of fLowers, porno mags,                     cages of canarIes. her one photo:kohl-eyed
               & he’s bent close, Alive.
Dahlia = instability

04 Who Touches You Now? (Conley/Anderson)
When you wrote last month
Asking 'Who touches you now?'
I sat in this dusty square for a long time
Trying to recall.
And then it came to me:
Moonlight touches me sometimes,
Or this cold hand might.
[Who touches you now?]
When I touch at my temple,
When I touch at my throat,
When I touch at my thigh thereís a faint memory of heat.
[Faint memory of heat]
Who was ravenous,
Who was always in need?
[repeat]
Who touches you now?
Who touches you now?
Then there was no more romance.
Everyone had the same flat voice.
Where were you when that happened?
Where were you?
Once we ate off the same plate.
We cut ourselves with the same knife.
We were gold--
We were gold!
In each otherís hands.
[Who touches you now?]
Maybe we happened and
Maybe we didnít at all.
[repeat]
Who touches you now?
Who touches you now?
When you wrote last month and asked, ‘Who touches you now?’ I sat in this
dusty square for a long time trying to recall and then it came to me-
moonlight touches me sometimes or this cold hand might. When I touch at
the temple or throat or thigh there’s a faint memory of heat, and the
fingers that used to trace impatient shapes across the landscape of our
shy, thirsting bodies.
But then finally there was no more romance and everyone had the same
monotonous voice. Where were you when that happened? Once upon a time we
ate off the same plate. We cut each other with the same knife. We named
rivers and built rings of fire. We were gold in each other’s hands.
Proximity was never a problem then. Neither was time.
But goddamn those salty, insistent bodies that carried us. Who was always
ravenous? Who was always in need?
Maybe we happened and maybe we didn’t at all.
05 John Coltrane’s “My Favorite Things” (Conley/Anderson)
Was that apt. in Allston?
I only recall a dim shuffling tram.
The spring night flooding the drawn-down windows with scent.
Wasnít she full of wild want
For his He and her She?
John Coltraneís ëMy Favorite Thingsí
Over and over.
Your monkish mat on the floor,
Your generosity as flocks of birds rose
Out of the heat in my pelvis and clouded my eyes.
Wasnít she full of wild want
For his He and her She?
John Coltraneís ëMy Favorite Thingsí
Over and over.
Her potterís hands in both their dusty britches.

               was that aPartment in allston?
I only remember a dim, shUffling
                        tRam,
                    the sPring night
                        fL
ooding the drawn down windows
                  with scEnt,
your monkish mat on the fLoor
           & your generosIty as
                        fLocks of birds rose
            out of the heAt
  in my pelvis & flushed Chest.
Purple Lilac = first emotions of love

 her black hair shot white,Zebra style.
and wasn’t she so full of wIld
                         waNt for his he & her she?     
                john coltraNe’s
                  ‘my favorIte things’ over & over,
             her potter’s hAnds in both their dusty britches.
Zinnia = thoughts of absent friends

06 Not Like Them (Conley)
Each precious hour
A shining flash.
We cast our nets
To hold on fast—they slip away
So I’ll kiss your sleeping head.
You’re just a child.
You’re not like them.
Heart fair and mild.
Not black and ugly, cruel, and strange.
I won’t let them hurt you again.
Your first sip of this poisoned well.
God help us forget.
Here is my broken heart.
Here is my broken heart.
07 Post-Pathetic (Conley/Anderson)
Clints' lyrics coming soon Aren’t I dull, since we drew the line?
Barred any evidence of interior life?
But that comes custom-ordered, you made it plain
‘Don’t get heavy on me or I’m gone’ you said.
Now I’m your pleasant no one, I’m barely here,
A shadow passed from time to time.
Got the program, took the cure.
The post-pathetic era’s here.
But how did things get cold so quick?
Aren’t you bored, miss my hissy fits?
I’d get mad and pout for an hour
‘cuz you couldn’t fit
Me in for a minute, you’re pressed for time.
But I got your patterns, I spot your car,
Find you in the woods, you laugh, ‘Hey no fair!’
I’ve laid the trap that caught me out
Of my mind, half-obsessed,
A high-pathetic scary mess.
Is that when things got cold so quick?
She says she needs ‘connection.’
With him it was electric.
Her juju lady said they’d married 7 times,
Just practice in their previous lives.
Strange licorice and candor,
Such tongue and groove together.
His method: lift skirt over her upraised arms.
Her black high heels the last thing on.
Say it happened,
Grant me that last favor.
Tell me I’m not dreaming.
What we had was something,
Something one might hold and not let go.
I think I know what happened,
Was it when you heard that song?
I lobbed a bomb and used that word: ‘love.’
Love, glove, moon, june—what’s the big deal
It’s just some lame tune
And a writer who’s desparate for words
To fill a hole.
A hole that’s closed, a wound that’s healed,
The post-pathetic remedy
For how things got so cold so quick.
I know Newness Ends.
Cured but curious we embrace
post-pathetic happiness:
Neutered, fixed, companionable.
08 That Boston Life (Conley/Anderson)
coming soon   her swede-neat piLe of
                 thIngs, that boston
                   Life packed up so
      quick and easY and small.
              he drOve the band's van
         screaming Fast; 90 down 90,
   new haven in no Time and nyc. loisaida
was a grey & grimy Horror of junk and
               bombEd out buildings in 1981,
   but that girl loVed it
              with A sweeping, fierce quickness.
             they sLept sweet
       on a dirty fLoor
           just oncE
           in a tinY apartment. that first night of sirens.
Lily of the Valley = return of happiness
09 3 a.m. (Conley/Anderson)
coming soon a blue heron in the Weed choked
            bit of bAy
                    Took wing
                suddEnly. both of us
         glossy as tRout, damp and spent.
                the Luxury of our senses;
            dazed, dIssolute, and so
             gratefuL that hot,
                    Yellow day on lake vermilion.
Water Lily = purity of heart
            our Pact: no shame & skin to
skin just as oftEn as
               pOssible. deep grass
            behiNd the empty house, lake superior’s
     blues & greYs across the cracked road.
Peony = Shame
I’m all alone now in this room that smells of crime scenes,
too ridiculous to care. It’s 3 a.m.
All the things that we’ve forgotten scream for help in our dreams. I read that somewhere once and now it’s true
10 The Kiss (Conley)

Stop, take a sec, look around.
Did she see me in your car?
Have they noticed when we talk
That the whole world falls away
and disappears.
Phone codes, stolen rendezvous.
What a rush, it picks up speed,
We're defenseless, we are weak,
And we're locked aboard a train
that's jumped its tracks.
I'm still waiting.
Waiting for the kiss.
Maybe then we'll quit while we're behind.
It's a helpless situation
Drifting 'round towards a starting line.
I saw clear from the start.
I was hopeless, I was gone,
There was nothing to be done.
Your knee almost touching mine--
It takes every ounce of strength
To keep everything in place.
I'd give anything
to run my fingers through your hair.
I'm still waiting.
Waiting for the kiss.
Maybe then we'll quit while we're behind....
Here in the land of dream-come-true
I hear every mother say
'Things are different today
And you never touch me
quite the way you used to do.'
I'm still waiting.
Waiting for the kiss.
Maybe then we'll quit while we're behind.
It's a hopeless agitation
Drifting 'round towards some finish line.
11 Details Of Attraction (Conley/Anderson)
One of the girls said: 'Man has the stem,
Woman has the flower.'
We laughed at this rustic oracle.
As armloads of droopy heads and stems
Were tossed into the dark,
The dark fast water.
Candle flickering,
Heads bent to the light.
Dandelion, rustic oracle.
Night falls and then much later on
Our greedy lips discuss
The precise details of attraction.
[repeat]
            one of the girls saiD:
                              ‘mAn has the stem,
                            womaN has the flower.’
                       we laugheD at this
                    rustic oraclE as
                             armLoads of droopy heads & stems
                    were tossed In the fast water.
          such dark, much later Our greedy lips discussed
the precise details of attractioN.
Dandelion = rustic oracle
12 What a Body Could Do (Conley/Anderson/Busted Statues)
Mornings you'd make me run.
I'd jog the timber road with you.
Chasing your
Young bones a form of bliss,
Ravishing them too.
We couldn't ever make enough
Time for lips and hips and arms
To teach us what a body could do.
Our dirt road hung and draped
With necklaces of wild grape.
Quick grouse would flush,
And swooning on it all we'd jump and laugh.
We couldn't ever make enough
Time for lips and hips and arms
To teach us what a body could do
The lake froze early again,
The smudge of sun has disappeared.
Now here I am.
The lamps are always lit against the cold.
We couldnít ever make enough
Time for lips and hips and arms
To teach us what a body could do
mornings you made me joG the
               timber rOad with
                      yOu.
                    chaSing your
              young bonEs was
             a form of Bliss.
           ravishing thEm, too, as
                     daRkening clouds blew
                     acRoss the lake and sun
                     toYed again with our bare skins.
Gooseberry = anticipation

     our dirt road was Hung, was draped
          in necklaces Of wild grape.
                 pheasaNts
            quick grousE, too would flush
               and jumpY
                      uS might
                     laUgh. dizzy and
swooning on it all. we Couldn’t
                     maKe enough time ever
                   for Lips and hips and arms
                   to tEach us what a body could do.
Honeysuckle = generous and devoted affection